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A Call to Arms,A surrender to Commercial Cinema | The Indian Express

From a man who knows a thing or two about Uttar Pradesh politics comes a pocket book update rapid Bollywood style emphasise the castes of the players in question,exaggerate the jails from within which the mafia runs operations,feature a leader who builds statues,gloss over the encounters,and even throw in a line about the Maharashtrians who are settled peacefully in Benares. But just a line,mind it. Lest it all get too heavy. For Bullett Raja,the extra t for emphasis,is a potboiler with little pretensions to realism but much too close a connection with Dhulia to entirely jettison it too. This is not Dhulia trying to make commercial cinema aesthically better,as he has been emphasising. This is the celebrated director and now a fancied actor since he made a mark in a film with an entirely new perspective on bloody,Hindi heartland violence and its politics and caste associations completely surrendering himself to it. Its sad that he makes a mockery of all that he knows better here. Its sad that for a completely unnecessary item number he casts a Mahie Gill who dared do a bold role and is paying the price for it. Its sad that the song enters five minutes into the film. Its sad that his heroes,a really ordinary Khan and a slightly better Shergill,are forced to emphasise their castes every other minute. Its sad that Lucknows really politically astute youths apparently know no better than to adopt the confused Raja (Khan) as their hero. And its sad that Jamwal has to make an entry as a Dabangg hero with an equally unbuttoned shirt and apparently as little an idea of what he is getting into to take Raja on. And then there is Sonakshi Sinha,totally unnecessary but for a song and some smattering of Bengali to give it a variation. And she is an aspiring actress based in Mumbai who is somehow being taken advantage of in a Lucknow hotel by a businessman,who emphasises his Marwari lineage. The film has been co-written by Amaresh Misra,who is associated with the Congress,and the film seems heavily pre-inclined to make a political statement any which way it may tumble out. Raj Babbar of the Congress has a starring role too,but he is far too serious an actor to wear his politics on his sleeve,or maybe wasnt given a choice. But whether its meant as a snap lesson on how politics is run in the Uttar Pradesh these days,or on how well Dhulia and Misra,acknowledged as an author and historian,know it,Bullett Raja only comes across as a wannabe bloodfest stingy on both the blood quotient and the fest spirit. There are a lot of fights,a lot of bullets are fired,a lot of bad guys are killed or co-opted,but none of it really hits home or tells you where our two apparently right-minded but wrong-headed buddies Raja and Rudra (Shergill) stand. Uttar Pradesh doesnt really need more to earn itself a special place in Indias politics,especially Poorvanchal,as the film lets you know. But Uttar Pradesh certainly didnt deserve less.
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